Who to work for to be a Growth Hacker

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Who to work for to be a Growth Hacker

How do I learn to be a growth hacker? Work for one of these guys 🙂 | Andrew Chen (@andrewchen)

  • NameBackgroundTwitter
  • Noah KaganAppSumo, Mint, Facebooknoahkagan
  • David KingBlip.me, ex-Lil Green Patchdeekay
  • Mike GreenfieldCircle of Moms, ex LinkedInmike_greenfield
  • Ivan KiriginDropbox, ex-Facebookikirigin
  • Michael Birchex-Bebo, BirthdayAlarmmickbirch
  • Ivko Maksimovicex-Chainn/Compare Peopleivko
  • Dave Zohrobex-Hot or Not, MegaTastydzohrob
  • Jia Shenex-RockYoumetatek
  • James Currierex-Ticklejamescurrier
  • Stan Chudnovskyex-Ticklestan_chudnovsky
  • Siqi Chenex-Zyngablader
  • Ed BakerFacebookesbaker
  • Joe GreensteinFlixsterjoseph77b
  • Yee LeeGoogleyeeguy
  • Jamie QuintLookcraft, ex-Swipelyjamiequint
  • Elliot ShmuklerLinkedIneshmu
  • Aatif AwanLinkedInaatif_awan
  • Andy JohnsQuora, Twitter, Facebookibringtraffic
  • Robert Cezar MateiQuora, ex-Zyngarmatei
  • Nabeel HyattSpark, ex-Zynganabeel
  • Paul McKellarSV Angel, ex-Squarepm
  • Greg TsengTaggedgregtseng
  • Othman LarakiTwitterothman
  • Akash GargTwitter, ex-Hi5akashgarg
  • Jonathan KatzmanYahoo, ex-Xoopitjkatzman
  • Gustaf AlstromerVoxergustaf
  • Jon TienZyngajontien

Huggy Pajama paper awarded “Honorable Mention” at CHI 2012 Conference

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Huggy Pajama paper awarded “Honorable Mention” at CHI 2012 Conference.

Paper title: Keep in Touch: Channel, Expectation and Experience – Paper

Rongrong Wang – Virginia Tech, USA

Francis Quek – Center for Human Computer Interaction, Virginia Tech, USA

Deborah Tatar – Center for Human Computer Interaction, Virginia Tech, Blacksburg, Virginia, United States, USA

Keng Soon Teh – National University of Singapore, Singapore

Adrian David Cheok – Keio University Graduate School of Media Design, Japan

Contribution & Benefit: Describes a remote touch study, showing communicative touch accompanied by speech can significantly influence people’s sense of connectedness. Identifies perception of communication intention as an important factor in touch communication design.

CHI 2012 – Program

Augmented Reality Event – Sneak Preview of ARE 2012 Schedule: Chock-Full of Augmented Reality Goodness…for The People

Augmented Reality Event – Sneak Preview of ARE 2012 Schedule: Chock-Full of Augmented Reality Goodness…for The People

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Adam Yauch • 1964-2012

Beastie Boys

 It is with great sadness that we confirm that musician, rapper, activist and director Adam “MCA” Yauch, founding member of Beastie Boys and also of the Milarepa Foundation that produced the Tibetan Freedom Concert benefits, and film production and distribution company Oscilloscope Laboratories, passed away in his native New York City this morning after a near-three-year battle with cancer. He was 47 years old. Born in Brooklyn, New York, Yauch taught himself to play bass in high school, forming a band for his 17th birthday party that would later become known the world over as Beastie Boys. With fellow members Michael “Mike D” Diamond and Adam “Adrock” Horovitz, Beastie Boys would go on to sell over 40 million records, release four #1 albums–including the first hip hop album ever to top the Billboard 200, the band’s 1986 debut full length, Licensed To Ill–win three Grammys, and the MTV Video Vanguard Lifetime Achievement award. Last month Beastie Boys were inducted into the Rock & Roll Hall of Fame, with Diamond and Horovitz reading an acceptance speech on behalf of Yauch, who was unable to attend. In addition to his hand in creating such historic Beastie Boys albums as Paul’s Boutique, Check Your Head, Ill Communication, Hello Nasty and more, Yauch was a founder of the Milarepa Fund, a non-profit organization dedicated to promoting awareness and activism regarding the injustices perpetrated on native Tibetans by Chinese occupational government and military forces. In 1996, Milarepa produced the first Tibetan Freedom Concert in San Francisco’s Golden Gate Park, which was attended by 100,000 people, making it the biggest benefit concert on U.S. soil since 1985’s Live Aid. The Tibetan Freedom Concert series would continue to stage some of the most significant benefit shows in the world for nearly a decade following in New York City, Washington DC, Tokyo, Sydney, Amsterdam, Taipei and other cities. In the wake of September 11, 2001, Milarepa organized New Yorkers Against Violence, a benefit headlined by Beastie Boys at New York’s Hammerstein Ballroom, with net proceeds disbursed to the New York Women’s Foundation Disaster Relief Fund and the New York Association for New Americans (NYANA) September 11th Fund for New Americans–each chosen for their efforts on behalf of 9/11 victims least likely to receive help from other sources. Under the alias of Nathanial Hörnblowér, Yauch directed iconic Beastie Boys videos including “So Whatcha Want,” “Intergalactic,” “Body Movin” and “Ch-Check It Out.” Under his own name, Yauch directed last year’s Fight For Your Right Revisited, an extended video for “Make Some Noise” from Beastie Boys’ Hot Sauce Committee Part Two, starring Elijah Wood, Danny McBride and Seth Rogen as the 1986 Beastie Boys, making their way through a half hour of cameo-studded misadventures before squaring off against Jack Black, Will Ferrell and John C. Reilly as Beastie Boys of the future. Yauch’s passion and talent for filmmaking led to his founding of Oscilloscope Laboratories, which in 2008 released his directorial film debut, the basketball documentary Gunnin’ For That #1 Spot and has since become a major force in independent video distribution, amassing a catalogue of such acclaimed titles as Kelly Reichardt’s Wendy and Lucy, Oren Moverman’s The Messenger, Banksy’s Exit Through The Gift Shop, Lance Bangs and Spike Jonze’s Tell Them Anything You Want: A Portrait Of Maurice Sendak, and many more. Yauch is survived by his wife Dechen and his daughter Tenzin Losel, as well as his parents Frances and Noel Yauch. 

CREATIVE LEAP media workshop for children in Botswana

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Our research mission is to empower children and youths in developing countries and communities with creative thinking and new media technologies. We aim to nurture and inspire young children to create new value propositions that will benefit their individual selves, communities and countries.

We want to view young children in developing countries as creative innovators and ambassadors of new technologies, rather than passive end-users consumers. We will conduct research in policy and creativity, design new media applications and conduct workshops to fulfill our mission and aim.

Past Achievements/ Presentations:

KMD Masters Student Maiwa conducted a 3 Day workshop for children in Botswana. Children aged between 9-11 year of age in one of the poorest locations in Gaborone, were asked to create stories (creative writing/story telling), make story boards (picture story), use molding clay to create their characters and animate their stories (stop-animation). The children did not have any knowledge of computers and molding but were very excited and most of them would like to play with computers more often participate in such workshops more if given the opportunity.

Sound Perfume

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Face-to-face communication remains the most powerful human interaction. In this day and age, people have become dependent on electronic devices to communicate with others leading to many interpersonal difficulties and miscommunications in today’s society. We believe that face-to-face communication remains the most powerful human interaction and these devices can never fully replace the intimacy and immediacy of people conversing in the same room. If society loses its physical aspect, many of the subtle benefits that go along with physical face-to-face contact will also be lost.

Much of communication is done non-verbally and emotions can easily be transferred from person to person without the utterance of a single word. Sound Perfume is our attempt to encourage face-to-face communication by making it more emotional and memorable. We do this by augmenting a person’s experience through additional auditory and olfactory stimuli during social encounters. We designed wearable actuators that provide each user the ability to handcraft their sound and scent identity.

This identity is then transferred to another system when two people meet, using a unique technique known as eye contact interaction, stimulating each person with their partners sound and smell preference. We have developed a working prototype designed in the shape of a pair of eyeglasses that help us demonstrate the interaction techniques and actuations. We also present an advanced design that is minimalistic in its use of components.

Light Perfume

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Mirroring is the behavior in which one person copies another person usually while in social interaction with them and is one of the most powerful ways to build rapport quickly. When meeting someone for the first time, mirroring their seating position, posture, body angle, gestures, expressions and tone of voice are some useful examples of doing this. Before long, your partner will start to feel that there’s something about you they like and they may even describe you as ‘easy to interact with’. This is because they see themselves reflected in you.

Lighting and scents have shown to have an important role in reinforcing special perception, activity and mood setting, emotion, judgments, and even social relationship. Light Perfume was designed to help people mirror each other using visual and olfactory outputs to strengthen a user’s psychological bond with the partner. We do this by synchronizing the speed and blinking color of LEDs and emit the same perfume scent from each person’s device during a face-to-face conversation. The outputs are chosen based on inputs from the user’s environment such as noise levels and expressive body gestures.

Light Perfume was designed in a bangle in order to directly stimulate a user’s eyes and unobtrusively stimulate a user’s nose from the wrist. It also is a perfect location for sensors that detect acceleration of the arms and sound from the surrounding area. The aroma is created by heating solid perfume and emitted by the movement of the wearer’s conscious and subconscious body gestures during a conversation.

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