On Loneliness & Technology

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FJP: We’ve been reading different takes on digital social networks and how/if they impact solitude, loneliness, and offline socializing. Here is a mash-up of the conversations we’ve been following.

The Atlantic: Social media—from Facebook to Twitter—have made us more densely networked than ever. Yet for all this connectivity, new research suggests that we have never been lonelier (or more narcissistic)—and that this loneliness is making us mentally and physically ill.

NY Times: New communications technologies make living alone a social experience, so being home alone does not feel involuntary or like solitary confinement. The person alone at home can digitally navigate through a world of people, information and ideas. Internet use does not seem to cut people off from real friendships and connections.

The Atlantic: We have never been more detached from one another, or lonelier. In a world consumed by ever more novel modes of socializing, we have less and less actual society. We live in an accelerating contradiction: the more connected we become, the lonelier we are. We were promised a global village; instead we inhabit the drab cul-de-sacs and endless freeways of a vast suburb of information.

Slate: Articles about American alienation may well feel true to those who long for simpler, happier times, but they’re built on fables and fantasies. In fact, there’s zero evidence that we’re more detached or lonely than ever.

The New Yorker: M.I.T. psychologist Sherry Turkle, takes issue with the basic promises of digital connection. She thinks that togetherness, far from being strengthened by technology, has been crowded out by “the half-light of virtual community.”

The Atlantic: But it is clear that social interaction matters. Loneliness and being alone are not the same thing, but both are on the rise. We meet fewer people. We gather less. And when we gather, our bonds are less meaningful and less easy. The decrease in confidants—that is, in quality social connections—has been dramatic over the past 25 years.

The New Yorker: Klinenberg’s research suggests that our usual perceptions about life alone get things backward. Far from being a mark of social abandonment, the solo life tends to be a path for moving ahead, for taking control of one’s circumstances. And, rather than consigning individuals to suffer in their solitude, aloneness may come at a cost to the community. The single life is inherently self-interested: it calls for vigilance on matters of self-preservation both large (financial autonomy) and small (dish detergent), and, in many cases, it frees the solitary from the sorts of daily interaction that help craft a sense of shared responsibility.

NY Times: The Pew Internet Personal Networks and Community Survey — a nationally representative survey of 2,512 American adults conducted in 2008 that was the first to examine how the Internet and cellphones affect our core social networks — shows that Web use can lead to more social life, rather than to less. “Social Isolation and New Technology,” written by the Rutgers University communications scholar Keith Hampton, reveals that heavy users are more likely than others to have large and diverse social networks; more likely to visit parks, cafes and restaurants; and more likely to meet diverse people with different perspectives and beliefs.

The New Yorker: Given our digital habits, the question isn’t whether we should use technology to ease our loneliness. It’s how.

FJP (Jihii): Ah, key question. So, where do we stand? I’ll quote Michael.

FJP (Michael): What do I think about social media? For my personal use it’s a bit of a time suck and I have to remind myself to step away from it, head outdoors and wrap my mind around something more substantive than the flurry of information I find myself in. For professional use it’s integral to the FJP’s ability to build audiences and engage with them. I can’t think of how we would be able to accomplish what we do without it. Societally, I’m a big believer in tools and platforms that allow people to connect, organize and share information. Social media increases the speed with which people can do so more than any other tool in history. This is great. My fear with it though is that people will increasingly build information silos around themselves and only hear and expose themselves to information that they want to hear, and from a partisan perspective from which they’d like to hear it. (http://bit.ly/HsAnMN)

FJP (Jihii): So yes, the power is in our hands, social media users. How do you choose to use your social networks? I think the key point is to continually check ourselves and reflect on just that.

PS: Sorry for the lack of links. This post format won’t allow it. Here are links to the articles. (Note that both the NY Times piece and Slate piece are by Eric Klinenberg.)

NY Times: http://nyti.ms/I22q7e
Slate: http://slate.me/J8BJzY
The Atlantic: http://bit.ly/I0nwmI
The New Yorker: http://nyr.kr/InwNEz

The Jig Is Up: Time to Get Past Facebook and Invent a New Future – The Atlantic

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The Jig Is Up: Time to Get Past Facebook and Invent a New Future – The Atlantic

NUS U@live Digital Humanity

Speaker: Adrian Cheok

Synopsis: We have entered a new era of humanity. For the first time we have constant 24/7 real time global communication. How has this changed humanity and the internet generation? How will learning change. What are the mega trends we will see from this digital exponential revolution.

Down Under

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Today is the sad day of the death of Greg Ham, the brilliant flautist and saxaphone player of one of my all time favorite groups Men at Work.

I grew up listening to Men at Work as a kid in Australia. The song “Down Under” was like a national anthem to us. To me as a kid it made me feel very cool to be Australian, and encapsulated the spirit that Australians have of being rebellious and free spirited.

As I grow up, more and more of the people who were part of my youth are dying. I will always feel a tinge of warmth and remembrance of lost youth when I listen to the classic “Down Under”

Down Under – Men At Work (HQ Audio) (by Luiscmck8Os2)

Men at Work flautist Greg Ham has been found dead in his Melbourne home.

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A 1983 issue of Rolling Stone magazine featuring Men at Work musician Greg Ham. (AAP) Men at Work flautist Greg Ham has been found dead in his Melbourne home. Men at Work flautist Greg Ham has been found dead in his Melbourne home. The musician behind the famous flute riff from the Australian band’s smash hit Down Under died on Thursday, aged 58. Two friends found Ham’s body when they went to his Carlton North home on Thursday morning after not hearing from him for the last week. Police are yet to say how he died or if the circumstances are suspicious, and homicide squad detectives are at the scene. “There are a number of unexplained aspects to it which has caused our attendance here today, and we’re assisting the local detectives to determine what has occurred,” homicide squad Detective Senior Sergeant Shane O’Connell told reporters. A post-mortem examination will be held to determine the cause of death. “At this point in time, because of the early stages of our investigation, we’re not prepared to go into the exact details of what has occurred,” Det Sen Sgt O’Connell said. A friend went to check on Ham on Thursday morning after not being able to get in contact with him for the past week, leaving when no one answered the door. He later returned with another friend and they found the body. Ham lived by himself at the home. Men at Work achieved international fame in the 1980s but Ham feared he’d end up being remembered mostly for the copyright dispute over the flute riff in their 80s hit Down Under. A court in 2010 found the riff was unmistakably the same as Kookaburra, penned by Toorak teacher Marion Sinclair more than 75 years ago for a Girl Guides competition. The decision left Ham shattered. “It has destroyed so much of my song,” he told Fairfax at the time. “It will be the way the song is remembered and I hate that. “I’m terribly disappointed that that’s the way I’m going to be remembered – for copying something.” Men at Work’s recording company, EMI Songs Australia, and Down Under songwriters Colin Hay and Ron Strykert were ordered to pay five per cent of royalties earned from the song since 2002 and from its future earnings. Men at Work in October lost their final court bid to prove they did not steal the distinctive riff from the popular children’s tune. Neighbour John Nassar said he knew Ham for about 30 years and the pair would stop and say hello. “He was a lovely human being, never judgmental about anyone, ” Mr Nassar told reporters. “He was a very friendly human being.” Ham joined Men at Work in 1979 as a replacement for Greg Sneddon, playing flute, harmonica, saxophone and keyboards. Down Under and the album it was on, Business As Usual, reached No.1 on the Australian, American and British charts in early 1983. That year, Men at Work won the Grammy Award for Best New Artist. Men at Work disbanded in 1985.

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